Jozef Peeters
Belgium (1895—1960)
After studying at the Antwerp Academy of Fine Arts, Peeters started to paint landscapes and portraits but soon moved to Symbolism, and after meeting Marinetti he turned to Futurism. He co-founded the group Modern Art and connected to the German Der Sturm. From 1920 he moved away from figurative art to focus on abstract subjects and published a series of six linocuts. His interests spammed to interior design and furniture, which he created for his own house. He published Het Overzicht (The Panorama) and De Driehoek (The Triangle). By 1930 he decided to abandon painting and retired.
De Driehoek
Maandschrift voor konstruktivistische Kunst / Magazine / 27.5 x 36.5 cm / Antwerp, 1925-1926 (1978)
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Manomètre
Mélange des langues, enregistre les idées, indique la pression sur tous les méridiens, est polyglotte et supranational / Magazine / 17.5 x 22.5 cm / Lyon, 1922-1928 (1977)
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Francesco Cangiullo / Paul Joostens / Jozef Peeters / Michel Seuphor / Philippe Soupault / Iliazd (Ilia Zdanevich) / Robert Delaunay / Juan Gris / Émile Malespine / Vilmos Huszár / Mario De Andrade / Sonia Delaunay / Fortunato Depero / Lajos Kassák / Fernand Léger / Filippo Tommaso Marinetti / László Moholy-Nagy / Tristan Tzara
Het Overzicht
Half-Maandelijks Tijdschrift: Kunst, Letteren, Menshei / Bi-monthly periodical / 23.9 x 32 cm / Antwerp, 1921-1925 (1976) / SABAM Belgium 2020
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Ça Ira!
Revue mensuelle d’art et de critique / Magazine / Letterpress / 22 x 28.5 / 14 x 22 / Antwerp, 1920-1923 (1973)
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